《驴为(➕)(wé(🤾)i )媒(méi )》故事发(😰)生在(😨)当下鲁西大地(💅)(dì )上(shàng )的聊(🤓)城市(🗓)，讲述的是在京(⏩)(jīng )打(dǎ )拼多(🌦)年的(🛺)有志青年，得知(🐈)(zhī )老(lǎo )家惠(♌)民政(💰)策后，回乡养驴(🍤)、带(dài )领村(🔜)民脱贫致富，实现自(🔌)(zì )己(jǐ )创业(🚿)梦，并赢得爱情的故(📣)(gù )事(shì );讲述(💒)了党的精准扶贫政(📛)策和(hé )乡村(🏪)振兴战略在齐鲁大(🥛)地的(de )生(shēng )动(🥇)实践，展现了基(🍴)层党(🔖)员(yuán )干(gàn )部(💣)在(🎏)全面建成小(👨)康社(✔)会进(jìn )程(chéng )中(🕐)的“主心骨”形(🏂)象。电(🍧)影(yǐng )《驴为媒》坚(😲)持“小成本、(📹)大(dà(👊) )情怀、正能量(🐪)”的创作宗(zō(🎙)ng )旨(zhǐ(👥) )，紧扣当前乡村(💯)振兴和精准(🎗)(zhǔn )扶贫主题，将社会(👄)效益、价(jià(🏳) )值(zhí )引领放在首位(🅾)，引导人们(men )努(🥚)(nǔ )力实现个人前途(😨)与国家命运(💧)(yùn )、个体经历与时(🍉)代大潮、个(👦)(gè )体(tǐ )情感与(🚹)国家(🧦)情感的同频(😇)共(🆓)(gòng )振(zhèn )，激励(🧥)人们(🔽)向上向善，自(zì(🤢) )觉(jiào )践行社(😯)会主(👶)义核心价值观(🌅)，讴(ōu )歌党、(⏺)讴歌(🦈)人民、讴歌新(🈶)(xīn )时(shí )代。
风(👾)度翩(⚪)翩的医生动了(㊙)(le )色(sè )心，欲迷(📠)晕少女但错手杀人(😚)(rén )，险被送上(🐛)断头台，以为逃(táo )出(🎦)(chū )鬼门关，岂(🗺)知魔鬼已盯上(shàng )他(👑)(tā )。战争前夕(🍡)，他被发配边疆(🗡)(jiāng )，继(🌓)而被奥匈帝(🈳)国将领重用(yò(🦂)ng )，沉迷(🛡)研究麻药乙醚(🍑)。药物(wù )能(né(😬)ng )麻醉(🎌)止痛，亦能制造(🌝)不知(zhī )痛(tò(🐥)ng )楚不(📈)懂畏惧的科学(🗒)怪人。而(ér )他(🈚)(tā )心(📺)底的欲望，是想(🆓)找到完(wán )全(📲)(quán )驾驭他人灵魂的(🌳)方法。赞(zàn )禄(💿)(lù )西继《色》（39 届）后(🍀)再度审(shěn )视(🍓)传统道德防线，两段(🗝)式结(jié )构(gò(🛫)u )揭示妙手狂医跟魔(🏑)鬼握手(shǒu )的(📏)(de )浮士德心路，亦(🚹)检视(🍅)法西斯(sī )之(🖲)兴起，绝对的权(🎏)力将(😌)令人(rén )绝(jué )对(😲)腐化。
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
东国公(🆙)主五(🧐)鹿飞(fēi )凰(huáng )，为(🥎)报杀父亡国(🐩)之仇(🐮)，入(rù )宫(gōng )接近(🎈)北耀国王炎(🍣)漠，却(🎥)被炎(yán )漠(mò )生(🌇)死兄弟离山(🅾)识破。飞凰(huáng )设(shè )计(🌗)让炎漠爱上(🦁)自己并离间(jiān )炎(yá(🚪)n )漠离山，导致(📲)离山受刑。后(hòu )离山(🐪)找炎漠寻死(🎣)，离山被杀(shā )。炎漠得(🎒)知真相后挥(🏰)刀自尽(jìn )，飞凰(👟)登基(🕕)称王。
Aom is haunted by horrible nightmares which can’t be named & explained, she gets sicker everytime she got the nightmare. During her visit to her 80 years old grandma, she find out that, her grandma who looked more dead than alive, is hosting and feeding a ghost.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
