A detective and his partner tries to solve a murder case whilst finding themselves stuck in a 1940s, film-noir world.
1928年7月(📰)(yuè )，国民党第(🥘)十二军军(🍞)长孙(sūn )殿英(✂)以军事演(yǎ(🐇)n )习为名，秘(⏰)(mì )密挖掘了(le )清(🌼)东(dōng )陵慈(👢)禧墓和乾隆(🎹)墓，盗窃(qiè )了(🎠)无数的稀(🤕)世(shì )珍宝，但(🥑)这(zhè )些财(🚸)(cái )宝下(xià )落不(🐨)(bú )明。据民(🍴)间传说，孙殿(🚺)英(yīng )将部分(🚈)财宝贿赂(🚬)给了上司(sī )徐(🌠)源(yuán )泉(🌺)，徐源(yuán )泉便将(🌺)财宝(bǎo )埋(🐦)在了自(zì )家(🔮)公(gōng )馆的地(🛒)下秘室中(🏭)。文革期(qī )间，有(😅)人在武(wǔ(🏪) )汉新洲徐公(🚺)(gōng )馆附近(😂)挖(wā )出了(le )不(📦)少枪支军备(🖐)，结果有关(🐛)(guān )徐公馆藏有(🦑)巨(jù )宝的(🐋)说法不(bú )胫(👐)而走。影片(pià(⬛)n )以武汉新(🛅)洲仓埠古镇(🔐)徐源(yuán )泉(㊙)将军的古宅(zhá(🎶)i )及密道为(😳)依(yī )托，首次(🕙)(cì )通过(guò )影(😢)片的形式(🏵)向世人公开此(🥟)(cǐ )历史(🥚)文化古迹。考古(🌽)专业(yè )毕(🖤)业(yè )生雪(xuě(🗣) )莹跟(gēn )随考(👫)古专家(jiā(🏔) )古莫教授(shòu )等(🍄)人(rén )进入(🚥)徐公馆考古(💯)，考古队(duì(🔴) )在古(gǔ )宅的(🤩)地下(xià )秘道(🥦)内发现(xià(🚁)n )一件宝物(wù )，宝(📣)(bǎo )物在押(🥓)送途中被匪(🛑)徒抢走(zǒu )，之(💴)后教授等(🏮)(děng )人与男女(🐚)神(shén )偷、(⛵)国外(wài )文物(wù(🎸) )团伙尤大(📛)等人激烈争(🐝)夺，宝物丢失(😲)后，匪徒陆(🙁)续遭(zāo )受报(bào )应，并出(😋)(chū )现系列离奇(🏰)死亡事件(🥇)，一(yī )场正义(🕝)与邪恶的较(🏁)量由此(cǐ(🤹) )开始(shǐ )......
马云(yú(🐉)n )是马(mǎ )姓裴满氏家(jiā(🌒) )族的最后(🥨)(hòu )一代(dài )贵(🍝)族，因其第十(👟)三房姨太(👩)(tài )所生之子［(🏤)马(mǎ )十三(🕉)］天生(shēng )力(🎣)大无穷(qióng )，生(shēng )惹是非(🥊)，被马云忍痛(🛰)送往(wǎng )武(⌚)馆“无双馆(guǎn )”学(🧀)习攻守(shǒ(👓)u )之道。
藝(yì )術(👅)家(jiā )自古皆(👁)寂寞或許(🍔)是境界，人到中年萬事(🏿)(shì )憂則是現實(🔃)(shí )。在(zài )畫(🗑)室(shì )洋洋(yá(🐱)ng )灑灑呈現自(🥧)由雄風的(🙌)裸男(nán )畫作令(⛸)他一舉成名，在家(jiā )面(📠)對(duì )前妻(🤝)(qī )懷着(zhe )新歡(💢)骨肉、與女(📯)兒相(xiàng )處(😯)尷(gān )尬卻令他(⛴)一籌莫展(🦓)。貝蒙(méng )特的(🙏)寂寞，在(zà(🧑)i )於如何在著(🔪)(zhe )名畫家與(yǔ(🐩) )單親(qīn )爸(🥚)爸雙重身份、(🙀)藝術創作(🐉)(zuò )與家庭生(🎟)活之(zhī )間取(⏰)得平衡(hé(🚣)ng )。維羅（《電(diàn )影就在街(🚀)角》，35 屆）找來(lá(🦍)i )合作多年(🏳)的編(biān )劇兼(🌄)美指好(hǎo )友(😯)對(duì )號入(😷)(rù )座，還原藝術(🏁)家有血有肉(ròu )的矛(má(🌉)o )盾本性，在(🖐)出世與入世(❕)的(de )兩難(nán )外(😇)，毋忘(wàng )點(🛠)點超現實(shí )的(💡)幽默。
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
