摄(⚪)(shè(🚜) )影(🗡)师(🌞)(shī(🔑) )王(🏛)树(shù )因一次“死(sǐ )亡拍(pāi )摄”获奖并一举成名(míng )，于此同时他也断送(sòng )了自己的摄影生涯。在舆论(lùn )的审判下，没有(yǒu )一家(jiā )摄影公(🗞)司(😩)愿(🗾)意(🕚)接(jiē )纳他(tā )，王(wáng )树不得不转(zhuǎn )行维(wéi )持生计，不想却(què )变(😍)成(🥌)(ché(🦏)ng )了(👀)网(🥛)络(⏲)爆(😷)红(😏)的(🦒)“审(🌈)判(❣)(pà(🎟)n )者(👺)”，并(🍶)陷入了一宗(zōng )扑朔迷(mí )离的死亡绑架事(shì )件，踏上了“心灵(🦑)审(🖲)(shě(💭)n )判(🈷)”的(🍣)漫(🍭)漫(🏮)长路......
A detective and his partner tries to solve a murder case whilst finding themselves stuck in a 1940s, film-noir world.
印度(dù )每年(nián )有超(chāo )过二万宗针(zhēn )对女(nǚ )性的暴力罪案，平均(jun1 )每二十二分钟就有一(yī )名女性被强暴，每六(liù )小时就(jiù )有一(🍷)名(🆙)妇(🦖)女(⏭)因家(jiā )庭暴(bào )力丧命。年轻的(de )基层(céng )女警(jǐng )索妮与上司(sī(🥓) )卡(🌛)帕(😪)(pà(🎁) )纳(🚈)在(🏏)德(🧥)里(🕚)一(🗃)同(⛎)接(🏉)(jiē(🕧) )手(〰)调(🔖)(diào )查不同的女性暴力事(shì )件，在办案过程中往(wǎng )往遭受(shò(📘)u )到(🤓)了(💢)重(😒)大(🚚)阻(🚡)力(🐵)，无(📫)日(rì )无之的罪案令她(tā )脾气(qì )暴躁，做事方式(shì )偏离(lí )常规(guī )，被裁定在(zài )执勤(qín )中行为不当，而私人(rén )生活也影响到了她的(🈶)(de )职(🏚)业(👇)表(🏈)现，与丈夫已(yǐ )经彼此(cǐ )疏离，却要被迫(pò )面对(duì )他突然的(🎙)到(🍸)访(🛂)。印(🤤)度(👿)(dù(😸) )电(💌)影(💳)(yǐ(🚴)ng )少(🐿)见(👓)的(❤)写(📟)实(🧐)(shí )题材(cái )，以一场一镜营(yíng )造出(chū )真实迫力，将社会低(dī )下(⛴)层(⛹)女(🙍)性(🥨)受(🐽)到(🍶)压(🎐)迫(🏅)的(de )问题表(biǎo )露无遗。
又到了(le )年末(mò )，阿呆和阿瓜像(xiàng )所有(yǒu )人一样，开始为(wéi )圣诞(dàn )节及(jí )新年PARTY做准备(bèi )，但(dàn )是，作为这个世界(🕟)上(💺)(shà(📨)ng )动(🏾)手能力最强的小发(fā )明家，怎么能跟普通(tōng )人一样(yàng )来装扮(🔠)自(👴)己(🏕)的(👽)院(📗)(yuà(🦒)n )子(🐄)和(📼)(hé(🔥) )房(📥)子(🤲)呢(⛏)？(🕉)于是，两个(gè )好朋(péng )友开动脑筋(jīn )，对(duì )自己的家展开了(le )不一(👝)(yī(🤛) )样(🔛)的(🕕)改(🈁)造(🤷)，当(🖐)然，他(tā )们也没有忘记帮自己(jǐ )的好朋(péng )友选一件“最好(hǎo )的礼(lǐ )物”。
晴晴和小(xiǎo )雨一(yī )起来到城市打工(gōng )投奔(bēn )老乡(xiāng )莹莹(🚃)，途(🎻)中(👻)(zhō(🈷)ng )遭绑(bǎng )架团伙赵卓和四通绑(bǎng )架，影片以恢弘幽默(mò )的手法(🔊)讲(📳)述(💻)晴(🌉)晴(👋)小(🧔)雨(🧓)(yǔ(🙀) )与(😳)犯(🎐)罪(😹)(zuì(🤠) )分(🔖)子斗智斗勇的(de )故事(shì )。
《被遗忘的季(jì )节》是一(yī )部惊悚片，讲述(🏞)(shù(🚉) )了(🌎)一(🚕)个(😑)平(👳)凡(🈁)的人(rén )在成(chéng )为杀人犯的过程中出(chū )现的互助、放任等人(rén )类心理(lǐ )。将平凡而又寒(hán )心的(de )无业游民设定为(wéi )犯人(rén )，将弟弟(😸)设(🗜)定(⏺)为(wéi )充满(mǎn )出人头地欲望的(de )记者(zhě )，将偶发性的一次杀(shā )人(🥗)与(🧤)另(🎟)一(🕰)个(🚙)个(🏄)人(📆)的(🔮)欲(🥏)(yù(🍸) )望(🐠)相(🎸)遇(🍞)，如何演变成连(lián )环杀(shā )人，平凡的犯人(rén )为什(shí )么成为怪物(🦓)。
Brij Mohan (36), a hosiery shop owner in a busy Delhi market, desperately wants to change his life. He is fed up of his ball-crusher wife and mounting debts. In order to escape his wretched life, he changes his appearance and adopts a new identity as Amar Sethi, but ends up committing a botched up murder. He runs off with his young girlfriend, hopeful of making a new beginning. Instead, as luck would have it, he finds himself trapped in a web of his own Karma.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
