Office misfit Darlene Henderson, AKA "Kitty", takes her cat obsession to perverted and supernatural places, dragging her hapless co-workers John and Janine down dark and feral alleyways of murder and lust.
《四(🛤)个春天(tiān )》是(shì )一部以(🍆)(yǐ )真(🥦)实(shí(👵) )家庭生活为(wéi )背景的(🎆)纪录(🏼)(lù )片(🐡)。15岁离家,在异乡漂泊多(🌊)年的(✖)导演(🎢)以自己南(nán )方小(xiǎo )城里的(🦆)(de )父母(🏻)(mǔ )为主角,在(zài )四年光阴里(🎏)(lǐ ),以(✈)一己之(zhī )力记(🕒)(jì )录了他(tā(🥌) )们的(de )美丽日常(🃏)。在如(🦖)诗的乐(lè )活(📈)慢生活图景中(🧤),影像(⏫)缓缓雕刻出(🚣)一个幸福家(jiā(🤥) )庭近(☝)(jìn )二十年(nián )的温(wēn )柔(🤬)变迁(🤢),以(yǐ(📎) )及他们如何(hé )以自己(🚸)的方(🥉)(fāng )式(✖)面对流转(zhuǎn )的时(shí )间(🧀)、人(🥝)(rén )生(🎗)的(de )得失起落。
婚礼策划(👠)师(shī(🌡) )露西(🔔)回国策划一场英国王室的(⛲)婚礼(🚬),而发生的(de )一连(lián )串的趣(qù(🗿) )事,从(📐)而收获了(le )属于(📖)自己的(de )爱情(🏄)。
BBC电视(shì )电影(yǐ(🧦)ng ),本片(😴)(piàn )根据(jù )真(👴)实故事改(gǎi )编(🍶),剧情(📎)基(jī )于大量(👮)事实,并得到了(📌)当事(🎛)人及其亲属的合作(zuò(🍀) )与支(🕑)(zhī )持(🔰),尽(jìn )力还(hái )原了整个(🔇)事(shì(🔱) )件。
一(🔅)段横(héng )跨二十年的(de )恩(🏿)怨,让(🛸)沉(ché(🚒)n )实稳(wěn )重的赵(zhào )智勇(✈)(yǒng )卷(😍)入了(🎸)一场(chǎng )离奇的武术(shù )纷争(🍩)。作为(🐳)双手洪拳武馆的当家大师(🚸)兄,赵(👲)大(dà )勇不(bú )但(😨)表现(xiàn )出非(🕢)(fēi )凡的武艺,而(🚎)且还(🤹)以高(gāo )尚的(💨)武德扭(niǔ )转乾(🚦)(qián )坤(🎛),并(bìng )成功(gō(👳)ng )化解了武馆(guǎ(🚷)n )一段(🐅)陈年恩(ēn )怨……而赵(🤛)大勇(🐙)的少(🚭)年老成以及平实谦虚(🕤)的作(🕔)(zuò )风(🍿),却令其(qí )爱情(qíng )道路(🌃)曲折(🛤)连(liá(🖥)n )连,但最后(hòu )还是以实(🛬)际(jì(🕡) )行动(🍆)赢得芳(fāng )心,收获爱(ài )情。
在(🌻)《绑架(🚋)王(wáng )公子1》之中(zhōng ),大狸子爵(🦃)士惨(🐥)遭王某人格侮辱。续集中,大(🛳)(dà )狸子(zǐ )密谋了(le )一(🤧)场(chǎng )骇人听(⬅)闻的(de )谋杀案......
初(🚉)三(sā(📊)n )学生苏见心(🎿)(xīn )(钟(zhōng )书航(🍦)饰(shì(🍇) ))因(yīn )一个赌注结(jié )识了(🥪)大部(👺)分(fèn )男生心目中的女(⏰)生周(🥔)雨彤(🥘)(崔梓盈饰。,周雨(yǔ )彤(🌬)独(dú(🙉) )特的(⛹)气(qì )质和(hé )举止让苏(🍝)见(jià(🧦)n )心有(🆕)了怦然(rán )心动的感觉(jiào ),正(🈳)如初(👳)恋(liàn )时的(de )酸奶,永远(yuǎn )都不(⛳)会过(⛳)期(qī ),纵使这份(fèn )藏不住的(💌)懵懂情愫难以控制(👣)。终于(yú ),苏见(🛁)心获(huò )得了(le )女(✍)神周(😽)雨彤(tóng )的芳(🗜)心,展(zhǎn )开了了(💻)一段(🚑)(duàn )或甜或苦,或淡(dàn )或涩的(🤬)(de )爱情(🕦)(qíng )故事。
1891年,后印象派大(🚛)(dà )师(💉)保罗(🏹)·高更在巴黎的艺术(🐭)圈已(💦)小有(🌺)名气,但(dàn )为文(wén )明社(🦗)会(huì(🕦) )的虚(🐲)(xū )伪与矫情感(gǎn )到厌(🐀)烦。对(🗾)(duì )于(📃)原始世界(jiè )的渴望驱使(shǐ(🚸) )他离(♒)(lí )开家中妻小(xiǎo ),来到南太(🙍)(tài )平洋的大溪(xī )地(♿);准备好为(🧘)追寻已久的自(💣)然、(🤨)野(yě )性、纯(📷)粹的(de )生活(huó )与(🏷)创作(🦀)环境(jìng )牺牲一切。忍受着经(🤐)济(jì(👃) )上的贫困和(hé )精神(shé(💞)n )上的(🚖)孤(gū(🧦) )寂,高更走进丛(cóng )林深(🗻)处,认(✌)(rèn )识(📑)了当地的毛利人,邂逅(🗞)了原(🧠)住民(🦋)女孩德胡拉(lā );一(yī(🤸) )段三(🐈)角(jiǎ(⛪)o )关係(xì )也若隐若现(xiàn )地缓(👏)缓浮(📄)出(chū )。这座远方(fāng )岛屿彷佛(👞)是(shì )他灵(líng )魂的故(🕤)土,此处充满(📖)生(shēng )命力的人(🦌)物(wù(✡) )面貌与地景(⏸)线条都成为他(🔗)的缪(👃)思,激发他创作(zuò )出艺(yì )术(😤)生涯(🤩)中最(zuì )具标志性的(de )大(⏯)师之(✳)作。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
A frame that says, 'Drink makgeolli (rice wine) here and the one you miss will return' is hung on the wall of a tavern titled The Return. The tavern's regulars miss their lost ones.